One finds everywhere today — not least among artists and writers — something like an unacknowledged “party of Utopia”: an underground party whose numbers are difficult to determine, whose program remains unannounced and perhaps even unformulated, whose existence is unknown to the citizenry at large and to the authorities, but whose members seem to recognize one another by means of secret Masonic signals.

—Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism
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